By James Hamilton
Britain within the 19th century observed a chain of technological and social adjustments which proceed to persuade and direct us at the present time. Its reactants have been human genius, cash and impression, its crucibles the streets and associations, its catalyst time, its regulate the market.
In this wealthy and interesting e-book, James Hamilton investigates the colourful trade among tradition and company in nineteenth-century Britain, which turned a centre for international trade following the economic revolution. He explores how artwork was once made and paid for, the turns of favor, and the hot calls for of a becoming middle-class, widespread between whom have been the artists themselves.
While best figures reminiscent of Turner, Constable, Landseer, Coleridge, Wordsworth and Dickens are gamers the following, so too are the shoppers, financiers, creditors and industrialists; legal professionals, publishers, marketers and newshounds; artists' providers, engravers, buyers and curators; hostesses, shopkeepers and brothel keepers; quacks, charlatans and auctioneers.
Hamilton brings all of them vividly to existence during this kaleidoscopic portrait of the enterprise of tradition in nineteenth-century Britain, and offers exciting and unique insights into the operating lives of a few of our such a lot celebrated artists.
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Additional resources for A Strange Business: Making Art and Money in Nineteenth-Century Britain
35 The campaign of 1340 their count legitimised. Thus in Ghent on 26 January 1340, Edward declared himself king of France and henceforward waged war as a putative king of that country. Whether he believed he had any real chance of becoming king is unclear, but the taking up of the title made the war more bitter, and impossible to end without a decisive military event. Philip's plans were to revenge himself on Hainault and Brabant, and he moved his army towards Cambrai. Edward and his allies chose Tournai just to the north to deflect this French advance, and as a pro-Flemish gesture, since this town had once been in Flemish hands.
Henry had been assisted by an army in 1417 of at least 10,000, with reinforcements crossing in subsequent years. With such numbers, and with experienced commanders of high status, he had been able to employ a multi-pronged approach, thereby speeding up the conquest. His use of artillery is also notable, as defences were inadequate to resist bombardment. Henry consciously distributed lands to his soldiers, demanding in return both defensive and offensive military obligations, thus giving many a vested interest in maintaining and extending the conquest.
It was in the following year that the English raised their largest army of this second phase, 6,000 strong, and containing the Dukes of Lancaster and Brittany as well as three earls, 12 foreign captains and nearly 250 knights. The intention was to effect a great chevauchée from Calais to Artois and Champagne. Not surprisingly, this caused consternation to the French, but Gaunt then decided to turn south to reinforce the position in Gascony rather than moving on Paris. Why was no move made by either side towards a battle?
A Strange Business: Making Art and Money in Nineteenth-Century Britain by James Hamilton